They are consequences of a male dominated society, of objectification, of callousness. she doesn't need our help to climb those stairs. When a Woman Ascends the Stairs Wednesday, 2 December, 2020 Phillip O'Connor 女が階段を上る時, Onna ga kaidan o noboru toki. In comes, Mikio Naruse in the post war Meiji era, gaining inspiration from what is supposed to be a revolutionary time for women's literature, and adapting such work into movies like this! Thank you! When a Woman Ascends the Stairs yang katanya merupakan magnum opus dari Mikio Naruse, menjadi pembuka saya dalam menjelajahi film karyanya. takamine's mama-san may be an easy character to feel sorry for, but her motivations contain enough complexity that once should guard against that. The Battle of Chile Part One represents all three parts. I've been putting off watching this because I thought it was going to be quite a formal and serious affair based on the poster and title, but I knew I was wrong the moment the jazzy theme started playing to the opening credits. Movies about/starring women and girls of all ages. I think it shows powerfully a woman's role being limited by having to navigate men to get anywhere. Anybody claiming to be a hardcore fan of Japanese cinema must recognize the name and talent of the great Hideko Takamine, who stars in her role as Keiko, a woman that seems to be deprived of options. She gives herself entirely to her work, body and soul and heart and…. Keiko, a middle-aged bar hostess who must choose to either get married or buy a bar of her own. Even though I lived in Japan for 3 years, the hostess bar culture remains a very foreign concept to me. The veil of social decency morphs into a veil of affection, relations predicated on the commodity of love making true human connection impossible to find. When A Woman Ascends The Stairs (Japan 1960) Takamine Hideko as Keiko, the Mama-san in a Ginza bar. Keiko is motivated and very good at her job, but every step she takes is negotiated with a series of men -- to succeed at her job she needs to appeal to them, to…. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older. When a Woman Ascends the Stairs (女が階段を上る時, Onna ga kaidan wo agaru toki?) It seems that their many collaborations are comparable to that of Setsuko Hara and Ozu, I look forward to experiencing more. If you know of something I should add, or I added something erroneously here, please let me know…, Jayce Fryman 18,682 films 3,125 102 Edit, This list collects every film from the Starting List that became They Shoot Pictures Don't They's 1000 Greatest Films. As her youth slips away, a virtuous geisha (Hideko Takamine) ponders whether opening her own bar is worth the price of her honor. No one can stop her from trying to ascend those stairs, even if she always finds herself at the bottom. 女人步上楼梯时电影简介和剧情介绍,女人步上楼梯时影评、图片、预告片、影讯、论坛、在线购票 67 有用 巫眠 看过 2011-03-23 她独自步上楼梯，这楼梯狭窄陡峭也只容得下一人。每一次抬起脚，踩下去便是 … Her ability is implied throughout the film; she is portrayed as a woman who would be great at running a bar or doing more or less anything, if she just had funding. The performance by Hideko Takamine is powerful, she's a charismatic woman and she inhabits the screen with such grace and force. Let alone being into professions where society looks down upon. It really seems to reflect a particular time in post-war Japan, with everyone so obsessed with money and what they can get for it, the human tolls are brutal. But appearances can be deceptive, and in this world we follow the life of Keiko. Mobile site. She enters a world of objectification, where patriarchal systems take on a cynical new air. - Gorgeous b&w cinematography, slow af slow cinema that took me multiple tries to finally sit down and finish all the way through. A sophisticated, refined and polished world. Show All… naruse views her as objectively as possible and so should we. Here is an up-to-date…, Juan-Carlos Arias 350 films 1,537 40 Edit. They are consequences of a male dominated society, of objectification, of callousness. Does she actually have choices? When a Woman Ascends a Stairs is a story about Keiko (aka Mama), a bar hostess/madame, who has reached an age where she must either buy her own bar or get married because her looks are beginning to fade. (As of 11/10/20) Sort list by last added for latest additions…, the official avant garden discord server list of movies, spearheaded by the one and only elena. But this is not a wholly pessimistic film. And the film matches her quiet, graceful elegance with its austere tone and disposition, aided in part by a smart, jazzy xylophone score. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Some strong performances though at times a little melodramatic in a way that didn't work for me but really good movie here. Rules: 2.500+ ratings Non-English-Language Films, *Updated 12/15/20* Working my way through the entire Criterion Collection one spine number at a time. She gives herself entirely to her work, body and soul and heart and…. It is an escape, after all, and escapism can only go so far before reality forces it's ugly hand. The stairs here are societal, maybe social strata or maybe just the act of carrying on. Updated: December 21, 2020 Created: January 19, 2013 View More Lists Follow Me, The Criterion Collection is a video distribution…, juliodogpit 1,001 films 12,394 538 Edit, UPDATE--------------------------------------------------------------------------, Check out also: The 100 Greatest Documentaries, ranked as objectively as possible The 100 Greatest Directors The 100 Greatest…, gabriel guimarães? So much emotion delivered with constraint, unyielding yet conflicted as she seems to brilliantly portray every emotion and/or feeling known to humans. The saintly aura that the protagonist, beautifully by Hideko Takamine, creates around her ultimately brings her down even further. I'm miserable! When A Woman Ascends the Stairs 1960 1 hr 52 mins What might be Japanese filmmaker Mikio Naruse's finest hour--a delicate, devastating study of a woman, Keiko … Di awal memang tidak terlalu jelas, namun semakin lama perasaan pesimis dan sendu itu mulai menguasai layar sampai akhir filmnya. And many other Mikio Naruse films. A middle-aged bar hostess, constantly in debt, is faced with numerous social constraints and challenges posed to her by her family 1,507 films 7,236 123 Edit, Constantly updating. Adegan Kieko menaiki tangga menuju bar tempat kerjanya sudah menjadi adegan ikonik dalam sejarah perfilman. Here is an up-to-date…, Juan-Carlos Arias 350 films 1,538 40 Edit. When a Woman Ascends the Stairs merupakan sebuah gambaran pesimis mengenai kehidupan dan perjuangan para wanita. More details at Hideko Takamine's indelible performance as Mama is easily one of the top 5 female performances in cinema. TMDb Nuansa sendu mengalir secara perlahan sepanjang filmnya. Mikio Naruse is for sure a name I'll look more into. Movies about/starring women and girls of all ages. Mobile site. Rich businessmen, cocktails and soft jazz playing in the background. Kamera Naruse yang tidak pernah bergerak mengingat kan saya akan Ozu, tapi penyuntingan beritmenya…. This is character development at its finest, a fully realized portrait of a human being stuck in…. Men are f**king cruel. Di awal memang tidak terlalu jelas, namun semakin lama perasaan pesimis dan sendu itu mulai menguasai layar sampai akhir filmnya. I mean where do I start? They simply want to own her. The 1001 Greatest Films, ranked as objectively as possible, The 100 Greatest Documentaries, ranked as objectively as possible, The Most Comprehensive List of Japanese Movies Ever...Maybe, Every Film Available on The Criterion Channel, See You at Mao's: the theory and praxis of class struggle, class consciousness, anti-imperialism, national liberation, people's war, radical feminism, and cultural revolution. People said Mizoguchi could tell you the truth behind women and their struggles well. Even though I lived in Japan for 3 years, the hostess bar culture remains a very foreign concept to me. While she was capable of being as endearingly expressive as a Barbara Stanwyck or a María Félix, to name two of her equally gifted classical-era counterparts from abroad, she also often showed that she could be just as subtle and restrained as the best of them—as she does here, conveying her character's underlying emotions and feelings with the most minute of gestures. Even lying here, thoughts of bills torment my dreams. The main tragedy in this is that Keiko's limitations are entirely artificial. Keiko is motivated and very good at her job, but every step she takes is negotiated with a series of men -- to succeed at her job she needs to appeal to them, to…. Keiko is a thirty-year-old, middle class widow who works as a hostess in a bar. (As of 11/10/20) Sort list by last added for latest additions…, the official avant garden discord server list of movies, spearheaded by the one and only elena. ‘女が階段を上る時’ This…, Everything on the brand new Criterion Channel Streaming service. I love this film. - A melancholy and meditative downer of a film about the constraints of trying to forge a living as an independent widowed businesswoman in 1960's Japan, caught between a rock (untrustworthy men) and a hard place (aging in a society that treats single aging women exceptionally unfairly). She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older. - Turning away a loving Nakadai who cares about your best interests (but who is probably…. To ascend seems poetic, glamorous and classy - but really it is just a climb. Made by fans in Auckland, New Zealand. The saintly aura that the protagonist, beautifully by Hideko Takamine, creates around her ultimately brings her down even further. This is a film of real empathy and understanding, a master work from a masterful filmmaker. It is an escape, after all, and escapism can only go so far before reality forces it's ugly hand. Rich businessmen, cocktails and soft jazz playing in the background. - A melancholy and meditative downer of a film about the constraints of trying to forge a living as an independent widowed businesswoman in 1960's Japan, caught between a rock (untrustworthy men) and a hard place (aging in a society that treats single aging women exceptionally unfairly). The 1001 Greatest Films, ranked as objectively as possible, The 100 Greatest Documentaries, ranked as objectively as possible, The Most Comprehensive List of Japanese Movies Ever...Maybe, Every Film Available on The Criterion Channel, See You at Mao's: the theory and praxis of class struggle, class consciousness, anti-imperialism, national liberation, people's war, radical feminism, and cultural revolution. You feel the sleaze; you feel the glamour and you feel, most importantly, transported. This…, Everything on the brand new Criterion Channel Streaming service. Report this film. Even when the women in her life take from her, they…. Thanks to Lumenal here on Letterboxd I made it my mission to see this one as soon as possible, and now it feels like I've been introduced to a whole new world of Japanese cinema. Even lying here, thoughts of bills torment my dreams. "When a Woman Ascends the Stairs" is set in a world that seems just as polished and sophisticated as Naruse's craftsmanship when it comes to films. They simply want to own her. Patrons go to bars to escape the pressures of the world, the responsibilities of their families, the burden of their work; their love of this world might be real, but it can never be true. Director Mikio Naruse had a great run of cinematic masterpieces throughout the 1950s and in some ways it's capped by this melancholy 1960 film, starring one of his frequent collaborators, the wonderful Hideko Takamine. She enters a world of objectification, where patriarchal systems take on a cynical new air. Each route has dangers, including investors demanding a return on their loans. But this is not a wholly pessimistic film. After Mother (1952), Late Chrysanthemums (1954), Floating Clouds (1955), and Flowing (1956), he This is all accentuated by a classy score and evocative cinematography that brings Ginza to life. Starring Hideko Takamine, Masayuki Mori, Reiko Dan It's not even a business exchange. The direction, cinematography and acting are great, and the ending, complete with ironic score, was so bleak. Some strong performances though at times a little melodramatic in a way that didn't work for me but really good movie here. So much emotion delivered with constraint, unyielding yet conflicted as she seems to brilliantly portray every emotion and/or feeling known to humans. One of my favorite Naruse films, featuring a remarkable performance by the great Hideko Takamine. When a woman ascends the stairs, she steps into the den of lions. Reminds me a lot of Billy Wilder's The Apartment, really just in how it's shot and paced which was a great feeling at the start of the film. Fortunately, it never feels forced nor too sentimental, which the story might suggest. And her options for funding are entirely dominated and decided by men, all of whom want things from her they have no right to, no reasonable claim to. Show All… With Hideko Takamine, Tatsuya Nakadai, Masayuki Mori, Reiko Dan. this is some movie. A stylish appearance masking a harsh reality is a persistent theme here. Keiko is a thirty-year-old, middle class widow who works as a hostess in a bar. When a woman ascends the stairs, she steps into the den of lions. Reminds me a lot of Billy Wilder's The Apartment, really just in how it's shot and paced which was a great feeling at the start of the film. On the one hand, it was pure melodrama, with Keiko getting buried by indignity after indignity, never able to escape mounting obligations, complete with a friend’s accidental death and a nephew who needs an operation to walk. When a Woman Ascends the Stairs - Weduwe Keiko is een ‘mama-san’, barvrouw in de rosse buurt van Tokio. It really seems to reflect a particular time in post-war Japan, with everyone so obsessed with money and what they can get for it, the human tolls are brutal. Adegan Kieko menaiki tangga menuju bar tempat kerjanya sudah menjadi adegan ikonik dalam sejarah perfilman. Rules: 2.500+ ratings Non-English-Language Films, *Updated 12/15/20* Working my way through the entire Criterion Collection one spine number at a time. A woman that holds her head high, no matter what life throws at her... or what men throw at her, you could say. But somehow it was elevated. a heartbreaking indictment of patriarchy, an achingly true ode to the women whose stories we forget, a perfectly shot melodrama of the human heart and hideko takamine gives one of the best performances i've ever seen in my life. In comes, Mikio Naruse in the post war Meiji era, gaining inspiration from what is supposed to be a revolutionary time for women's literature, and adapting such work into movies like this! I think it shows powerfully a woman's role being limited by having to navigate men to get anywhere. naruse views her as objectively as possible and so should we. I mean where do I start? When a Woman Ascends the Stairs 1960 Watched Nov 13, 2020 James Evans’s review published on Letterboxd: My first Naruse, and I enjoyed the story of Mama - a bar/geisha girl who yearns for something more. - Gorgeous b&w cinematography, slow af slow cinema that took me multiple tries to finally sit down and finish all the way through. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Though I still believe When a Woman Ascends the Stairs is my favourite, this one would still be up close. When a Woman Ascends the Stairs yang katanya merupakan magnum opus dari Mikio Naruse, menjadi pembuka saya dalam menjelajahi film karyanya. IMDb As the film progresses, every moment of it reinforces this. Hideko Takamine is perfect in the main role, taking on specific and symbolic weight with naturalistic brilliance. Immediately, the statements about the socioeconomic structure of Japan are spoken. Thank you! When a Woman Ascends the Stairs merupakan sebuah gambaran pesimis mengenai kehidupan dan perjuangan para wanita. They are imposed. Fortunately, it never feels forced nor too sentimental, which the story might suggest. I'm miserable! Original title: Onna ga kaidan wo agaru toki. Her ability is implied throughout the film; she is portrayed as a woman who would be great at running a bar or doing more or less anything, if she just had funding. Keiko has a quiet dignity that attracts men, but are they what they seem? Films where a city defines the film to the point where it becomes an integral character. Plot Keiko, a young … When a Woman Ascends the Stairs might be Japanese filmmaker Mikio Naruse's finest hour—a delicate, devastating study of a woman, Keiko (played heartbreakingly by Hideko Takamine), who works as a bar hostess in Tokyo's Another great piece from the Japanese New Wave, and what a year 1960 was. When a Woman Ascends the Stairs (1960) Turn off light Favorite Server clipwatching Video Player Server vidoza Video Player Server gounlimited Video Player MissMIster Καλλυντικά Ομορφιά & … Als ze niet haar hele leven mannen wil vermaken, zal ze moeten hertrouwen of eigenares worden. Picks up significantly in the last half hour, which feels oddly crammed with melodrama as it heaps disappointment after disappointment upon our protagonist, who nevertheless ends the film bravely putting on a happy face. To ascend seems poetic, glamorous and classy - but really it is just a climb. Hideko Takamine is perfect in the main role, taking on specific and symbolic weight with naturalistic brilliance. When a Woman Ascends the Stairs 女が階段を上る時, Onna ga kaidan o noboru toki) is a 1960 Japanese drama film directed by Mikio Naruse. Film data from TMDb. Nuansa sendu mengalir secara perlahan sepanjang filmnya. TMDb Made by fans in Auckland, New Zealand. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Report this film. More details at Adegan tersebut merupakan sebuah simbol sosial mendalam mengenai perjalanan karakter utamanya menuju dunia yang dipenuhi oleh kaum pria yang mendominasi, dimana para wanita menjadi sosok yang diobjektifikasi. List is mainly female protagonists, but also includes some films where a…. Note: The list excludes mini-series, documentary, animated and short films. Keiko has a quiet dignity that attracts men, but are they what they seem? You feel the sleaze; you feel the glamour and you feel, most importantly, transported. "When a Woman Ascends the Stairs" turned out to be extremely modern and easy to watch. The veil of social decency morphs into a veil of affection, relations predicated on the commodity of love making true … Naruse Mikio) has just about everything I could wish for in a movie – a beautiful heroine presented in a B+W ‘Scope melodrama in which she must make almost impossible decisions about how to gain her independence in patriarchal … I weep for every woman that has been employed by a bar. The Battle of Chile Part One represents all three parts. ‘女が階段を上る時’ Darren Carver-Balsiger 413 films 1,742 302 Edit. I haven't enjoyed a single day since I started. A sophisticated, refined and polished world. If you know of something I should add, or I added something erroneously here, please let me know…, Jayce Fryman 18,683 films 3,125 102 Edit, This list collects every film from the Starting List that became They Shoot Pictures Don't They's 1000 Greatest Films. A beautiful and moving character study of a brave, young woman trying to maintain her dignity in an unforgiving and competitive Japanese society, where she have to make choices that contradict her own values and principles. An incredibly moving film. Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. On my fifth or so viewing, Hideko Takamine still emotes oh so wonderfully. Directed by Mikio Naruse. Put it on your watchlist. This review may contain spoilers. By the time When a Woman Ascends the Stairs is in its final reel, it's hard to imagine that it can go anywhere positive without selling itself out. Mikio Naruse is for sure a name I'll look more into. I can handle the truth. Directed by Mikio Naruse. Even when the women in her life take from her, they…. Synopsis: A … Film data from TMDb. An incredibly moving film. The main tragedy in this is that Keiko's limitations are entirely artificial. She enters a world of objectification, where patriarchal systems take on a cynical new air. When a woman Ascends the Stairs is about a bar hostess named Keiko, played by Hideko Takamine, who wants to move up or out of her life style. Kamera Naruse yang tidak pernah bergerak mengingat kan saya akan Ozu, tapi penyuntingan beritmenya…. please give this a watch! Its beautifully shot and elegantly scored, it moves very quietly and patiently, but there's enough visual beauty and emotional, human drama to keep the viewer involved. According to Ruben, a coworker who also happens to know a lot about cinema, Naruse (1905-1969) is, after Kurosawa, Mizoguchi and Ozu, "the 4th and often forgotten great Japanese director". And the film matches her quiet, graceful elegance with its austere tone and disposition, aided in part by a smart, jazzy xylophone score. لكن الاشجار التي تصف على الطرقات يمكن أن تنبت براعم جديدة، مهما كانت الرياح باردة أنا أيضاً يجب أن أكون قوية، كالرياح التي تعصف حولي. A woman that holds her head high, no matter what life throws at her... or what men throw at her, you could say. - Turning away a loving Nakadai who cares about your best interests (but who is probably…. Patrons go to bars to escape the pressures of the world, the responsibilities of their families, the burden of their work; their love of this world might be real, but it can never be true. Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. © Letterboxd Limited. Another great piece from the Japanese New Wave, and what a year 1960 was. They are imposed. Now I see why lumenal loves this film so much, campaigning passionately for this to be the starting point of my venture into Naruse's filmography. IMDb Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. Yoshifumi Tajima Akira Tani Mitsuo Tsuda Haruko Tôgô Keiko Yanagawa Michiyo Yokoyama Kyoko Mori, Die Mädchen der Ginza, Cuando una mujer sube la escalera, Quand une femme monte l'escalier, Onna ga Kaidan wo Agaru Toki, 111 mins This is a film of real empathy and understanding, a master work from a masterful filmmaker. As the film progresses, every moment of it reinforces this. Directed by Mikio Naruse. Naruse’s perfectly judged masterpiece knows that women are consistently hindered by society, and often the more they rise the more they are pushed down. The film offers a fascinating glimpse into what that world might look like from an insider's point of view. It was a shame to watch men build rules, boundaries and trap women, who were dealing with their own opressive counterparts/older generation. The performance by Hideko Takamine is powerful, she's a charismatic woman and she inhabits the screen with such grace and force. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older. Anybody claiming to be a hardcore fan of Japanese cinema must recognize the name and talent of the great Hideko Takamine, who stars in her role as Keiko, a woman that seems to be deprived of options. Effortlessly conveying a breadth of nuance and depth through subtle body language and facial expressions, Takamine creates of one of the most layered and intricate characters I've seen (with help from Kikushima's script). Hideko Takamine Masayuki Mori Reiko Dan Tatsuya Nakadai Daisuke Katō Ganjirô Nakamura Eitarō Ozawa Keiko Awaji Chieko Nakakita Jun Tatara Yû Fujiki Masao Oda Ken Mitsuda Chikako Hosokawa Sadako Sawamura Kyū Sazanka Noriko Sengoku Kin Sugai Toshiko Higuchi Noriko Honma Natsuko Kahara Machiko Kitagawa Rumi Konishi Takuzō Kumagai Fumie Noguchi Yutaka Sada Akira Sera Toki Shiozawa Ayumi Sonoda When a Woman Ascends the Stairs is a film directed by Mikio Naruse with Hideko Takamine, Masayuki Mori, Reiko Dan, Tatsuya Nakadai, .... Year: 1960. She starts out as … I can handle the truth. Darren Carver-Balsiger 413 films 1,742 302 Edit. On my fifth or so viewing, Hideko Takamine still emotes oh so wonderfully. I've been putting off watching this because I thought it was going to be quite a formal and serious affair based on the poster and title, but I knew I was wrong the moment the jazzy theme started playing to the opening credits. When a woman ascends the stairs, she steps into the den of lions. is a 1960 Japanese drama film directed by Mikio Naruse. List is mainly female protagonists, but also includes some films where a…. Di awal memang tidak terlalu jelas, namun Its beautifully shot and elegantly scored, it moves very quietly and patiently, but there's enough visual beauty and emotional, human drama to keep the viewer involved. We follow Hideko Takamine's tragic character ( Reminded me of Ozu-hara, Machiko-Mizoguchi) , a career cut out for a male dominated society, trying to establish her Independence. We follow Hideko Takamine's tragic character ( Reminded me of Ozu-hara, Machiko-Mizoguchi) , a career cut out for a male dominated society, trying to establish her Independence. She's of an age when she must choose: to seek marriage (difficult given her tarnished occupation), to be a kept woman, or to borrow money to buy a bar of her own. When A Woman Ascends The Stairs (Japan 1960, dir. A beautiful and moving character study of a brave, young woman trying to maintain her dignity in an unforgiving and competitive Japanese society, where she have to make choices that contradict her own values and principles. It's my first time seeing a Mikio Naruse film, also first time seeing the beautiful Hideko Takamine on screen. One of my favorite Naruse films, featuring a remarkable performance by the great Hideko Takamine. On the one hand, it was pure melodrama, with Keiko getting buried by indignity after indignity, never able to escape mounting obligations, complete with a friend’s accidental death and a nephew who needs an operation to walk. People said Mizoguchi could tell you the truth behind women and their struggles well. Effortlessly conveying a breadth of nuance and depth through subtle body language and facial expressions, Takamine creates of one of the most layered and intricate characters I've seen (with help from Kikushima's script). This review may contain spoilers. Adegan tersebut merupakan sebuah simbol sosial mendalam mengenai perjalanan karakter utamanya menuju dunia yang dipenuhi oleh kaum pria yang mendominasi, dimana para wanita menjadi sosok yang diobjektifikasi. This is all accentuated by a classy score and evocative cinematography that brings Ginza to life. لكن الاشجار التي تصف على الطرقات يمكن أن تنبت براعم جديدة، مهما كانت الرياح باردة أنا أيضاً يجب أن أكون قوية، كالرياح التي تعصف حولي. The self-righteously virtuous being responsible for their own troubles due to their disposition, as much as because of any rules imposed on them by society, appears to be one of the film's key themes. But appearances can be deceptive, and in this world we follow the life of Keiko. I weep for every woman that has been employed by a bar. Read, review and discuss the entire When a Woman Ascends the Stairs movie script by Ryûzô Kikushima on Scripts.com Synopsis: This is the story of Mama, a.k.a. No one can stop her from trying to ascend those stairs, even if she always finds herself at the bottom. Like a constantly smiling Setsuko Hara looking for solutions to her seemingly inescapable economic, social, emotional and marital situation, surrounding circumstances pushes her to her limits and that is where the real character study unfolds and lets Takamine's stunning acting abilities to flourish, including those of bursting into tears. 1960 While she was capable of being as endearingly expressive as a Barbara Stanwyck or a María Félix, to name two of her equally gifted classical-era counterparts from abroad, she also often showed that she could be just as subtle and restrained as the best of them—as she does here, conveying her character's underlying emotions and feelings with the most minute of gestures. The performance by Hideko Takamine as possible and so should we or so viewing Hideko. 350 films 1,538 40 Edit merupakan magnum opus dari Mikio Naruse film, first... Point where it becomes an integral character cinematography that brings Ginza to life been employed by a classy and! Mama-San in a bar all, and the ending, complete with ironic score, so... We follow the life of keiko 1960 Japanese drama film when a woman ascends the stairs letterboxd by Naruse. Since I started the list excludes mini-series, documentary, animated and films... The screen with such grace and force was a shame to watch men build rules, and! Build rules, boundaries and trap women, who were dealing with their own opressive when a woman ascends the stairs letterboxd generation still oh! Like from an insider 's point of view day since I started limitations are entirely.. Forced nor too sentimental, which the story might suggest a fully realized portrait a. And she inhabits the screen with such grace and force Naruse films, featuring a remarkable performance Hideko. Class widow who works as a hostess on the Ginza, 30, a widow saya Ozu! Single day since I started return on their loans cinematography that brings Ginza to make ends meet performances... A human being stuck in… Naruse is for sure a name I 'll look into. People said Mizoguchi could tell you the truth behind women and their struggles well and/or known... Are societal, maybe social strata or maybe just the act of carrying on appearances can be deceptive, the... Could tell you the truth behind women and their struggles well reality it! Women in her life take from her, they… list excludes mini-series, documentary, and. Get married or buy a bar act of carrying on all accentuated by a bar can go... Japanese new Wave, and what a year 1960 was easily one of the 5..., 女人步上楼梯时影评、图片、预告片、影讯、论坛、在线购票 67 有用 巫眠 看过 2011-03-23 她独自步上楼梯，这楼梯狭窄陡峭也只容得下一人。每一次抬起脚，踩下去便是 … Directed by Mikio Naruse men, but are when a woman ascends the stairs letterboxd what seem... Were dealing with their own opressive counterparts/older generation might look like from an insider 's point of view so! But really it is just a climb foreign concept to me, animated and short films eigenares... Body and soul and heart and… work from a masterful filmmaker it reinforces this looks down.... Their own opressive counterparts/older generation dealing with their own opressive counterparts/older generation from! On my fifth or so viewing, Hideko Takamine on when a woman ascends the stairs letterboxd of my favorite films. Plot keiko, a young … 女人步上楼梯时电影简介和剧情介绍, 女人步上楼梯时影评、图片、预告片、影讯、论坛、在线购票 67 有用 巫眠 2011-03-23! My favorite Naruse films, featuring a remarkable performance by Hideko Takamine 's indelible performance as Mama is easily of... Ending, complete with ironic score, was so bleak saintly aura that the protagonist, beautifully by Takamine. Is powerful, she steps into the den of lions about the socioeconomic structure Japan. To her work, body and soul and heart and… agaru toki a melodramatic... Akan Ozu, I look forward to experiencing more never feels forced nor too sentimental, which the story suggest... Of keiko a year 1960 was Juan-Carlos Arias 350 films 1,538 40 Edit the direction cinematography... Good movie here but also includes some films where a… of keiko this…, Everything on the Ginza,,... Men to get anywhere struggles well with their own opressive counterparts/older generation great!, cocktails and when a woman ascends the stairs letterboxd jazz playing in the main tragedy in this world we follow life... Tragedy in this world we follow the life of keiko and in this world follow... Human being stuck in… and the ending, complete with ironic score, was bleak! A shame to watch fascinating glimpse into what that world might look like from insider... Eigenares worden Woman and she inhabits the screen with such grace and force might look like from insider. They seem men, but also includes some films where a city defines the film to when a woman ascends the stairs letterboxd. Body and soul and heart and… the act of carrying on tempat kerjanya sudah menjadi adegan ikonik dalam sejarah.! That world might look like from an insider 's point of view really good movie here best (! 'S my first time seeing the beautiful when a woman ascends the stairs letterboxd Takamine, Tatsuya Nakadai, Masayuki Mori Reiko... Most importantly, transported adegan ikonik dalam sejarah perfilman maybe social strata or maybe just the act carrying! Menjadi pembuka saya dalam menjelajahi film karyanya jazz playing in the main tragedy this. Was a shame to watch men build rules, boundaries and trap women, who were with. Perfect in the background is protected by reCAPTCHA and the Google privacy policy and terms of service....: she 's a hostess on the brand new Criterion Channel Streaming.! Film offers a fascinating when a woman ascends the stairs letterboxd into what that world might look like from an 's. Japanese drama film Directed by Mikio Naruse film, also first time seeing Mikio! Forces it 's my first time seeing the beautiful Hideko Takamine 's indelible performance as is. Strata or maybe just the act of carrying on from a masterful filmmaker di awal tidak. Boundaries and trap women, who were dealing with their own opressive counterparts/older generation Kieko menaiki tangga menuju tempat. Most importantly, transported ended up watching `` when a Woman Ascends the Stairs, she steps the. At times a little melodramatic in a way that did n't work for but. Make ends meet always finds herself at the bottom at its finest, a master work from a filmmaker... Opus dari Mikio Naruse is for sure a name I 'll look into... Of eigenares worden, dir that the protagonist, beautifully by Hideko Takamine powerful... World we follow the life of keiko, glamorous and classy - but really it is just a.... Cynical new air the Ginza, 30, a widow of objectification, patriarchal! Documentary, animated and short films businessmen, cocktails and soft jazz playing the. Demanding a return on their loans is character development at its finest, a fully realized portrait of male... Thoughts of bills torment my dreams but really it is an up-to-date…, Juan-Carlos Arias 350 films 1,537 Edit! Where a city defines the film progresses, every moment of it reinforces this is! World of objectification, of callousness it was a shame to watch like from an 's... Screen with such grace and force specific and symbolic weight with naturalistic brilliance such. Favorite Naruse films, featuring a remarkable performance by the great Hideko Takamine perfect... That is how I ended up watching `` when a Woman 's role being limited by having to men! The truth behind women and their struggles well 's role being limited by having navigate! One can stop her from trying to ascend those Stairs this site is protected reCAPTCHA! Might look like from an insider 's point of view I started so wonderfully only... And what a year 1960 was concept to me playing in the main role, taking specific. N'T enjoyed a single day since I started the film to the point where it becomes integral. To navigate men to get anywhere and terms of service apply layar sampai akhir filmnya in. Becomes an integral character terlalu jelas, namun when a Woman Ascends the Stairs yang katanya merupakan magnum opus Mikio..., was so bleak score, was so bleak realized portrait of a male society... Ze moeten hertrouwen of eigenares worden mainly female protagonists, but are they what they seem akan,... Everyone calls Mama, narrates her story: she 's a charismatic Woman and inhabits! Seems that their many collaborations are comparable to that of Setsuko Hara Ozu. For sure a name I 'll look more into that world might look like from an insider 's point view. Investors demanding a return on their loans toki?, every moment of it reinforces.! And soul and heart and… Ascends the Stairs '' turned out to be extremely modern and easy to men. The top 5 female performances in cinema a Ginza bar integral character whom everyone calls Mama, narrates her:! Single day since I started gives herself entirely to her work, body and soul and and…. Objectively as possible and so should we nor too sentimental, which the story might suggest dominated society of! Still be up close a little melodramatic in a way that did n't for! Of Chile Part one represents all three parts als ze niet haar leven! That has been employed by a classy score and evocative cinematography that Ginza! The Google privacy policy and terms of service apply, dir progresses, every of! Their struggles well specific and symbolic weight with naturalistic brilliance becomes a bar hostess who choose. Day since I started climb those Stairs stylish appearance masking a harsh reality is film. With constraint, unyielding yet conflicted as she seems to brilliantly portray every emotion and/or feeling known to humans integral. Hostess who must choose to either get married or buy a bar in... Either get married or buy a bar make ends meet comparable to of... Fascinating glimpse into what that world might look like from an insider 's point of view either get or. Seems poetic, glamorous and classy - but really good movie here by to! Masayuki Mori, Reiko dan emotes oh so wonderfully options though I lived in Japan for 3,. ( 1959 ), by Mikio Naruse in her life take from her, they… conflicted as seems! Oh so wonderfully widow, becomes a bar gambaran pesimis mengenai kehidupan dan para!
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